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Antenne Books is a distributor for independent publishers. Established in London in 2010, Antenne Books distributes publications on art, photography, design, illustration, theory, writing, fashion and culture.

In the last decade, independent publishing rapidly grew, with many emerging publishers utilising new technologies and the ability to produce books on small scales and at low costs. Antenne Books was realised as a distribution platform against this background, initiated to support the large growth of these emerging publishers, who at the time had limited means to distribute their work using traditional models of book distribution. Antenne Books began by working with publishers Aki Books, Hassla, Nieves, Seems and The Institute of Social Hypocrisy, introducing retailers to publications that had, until then, rarely been available in Europe. Antenne Books now represents publishers from the UK, Europe, USA and Japan and distributes to a wide selection of bookshops and specialist retailers worldwide.

AntenneBooks.com is both an online shop and living archive of the Antenne Books distribution catalogue, which features a wide selection of artist publications, photobooks, magazines, rare and out-of-print publications, monographs and more. Titles are available from leading photobook publishers Art Paper Editions, Baron, Edition Patrick Frey, RVB and Onomatopee. Also available are titles from major artist book publishers Printed Matter, Patrick Remy, Tarmac and InOtherWords and magazines from Heavy Traffic, Mousse, Al Hayya, Luncheon, BUTT, Crotch and Dirty Magazine.

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Identity & Art Direction: OK-RM
Web Development: Twelve

This page (together with the documents referred to in it) details the terms of use on which you make use of the site: www.antennebooks.com. By using the site you agree to be bound by the Terms and Conditions of use relevant at the time of your visit.

Photographs & Video
Copyright in non-photographic images and video material on the site belongs to various owners and permission to reproduce or use any such image or video material must first be obtained from Antenne Books.

Content Submitted by You
The site offers a facility for you to contribute content (including, for example, written comments and/or photographs). Where you elect to do so, you accept that you grant to us a non-exclusive, royalty-free licence (at our sole discretion) to publish and use all such content (or any part of it, which may be edited, cropped or otherwise modified by us at our discretion) in any way and at any time on the site.   In addition, you warrant that the copyright and other intellectual property rights in such content belong to you and that the publication by us of such material by us on the site will not be unlawful or infringe the rights of any third party.

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When we receive your order you will receive an automated e-mail reply acknowledging receipt. No contract shall come into existence until we have accepted your order. Your order will be accepted by us by way of a confirmatory e-mail (‘Confirmation of Order’) which will confirm that we are able to send you the goods you have ordered, the price and the estimated delivery date. This Confirmation of Order shall contain all of the information regarding the goods you have ordered. You must immediately check the details contained in the Confirmation of Order and we advise you to print and keep a copy of it. We reserve the right in our absolute discretion to accept or reject any offer. You are able to correct errors in your order up to the point at which you click (“submit”) on your order.
 
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We may change this policy from time to time to ensure it is up to date with current European data protection laws. If there are significant changes to the way we process your data, we’ll notify you via our website, and if you’re subscribed to our mailing list, via email too.

This page was updated on 23rd May 2018.


instagram
Cartography , No. 10
£20 Out of Stock

TO LOOK WITHOUT FEAR: THE PHOTOGRAPHS OF WOLFGANG TILLMANS SEEN BY THE CURATOR CLOE PICCOLI

Tillmans is interested in the process that, starting from the image, reproduced in different contexts such as magazines, books, postcards, galleries and museums, nightclubsand music videos, record covers, posters, architectural spaces and theatrical stages, activates new dynamics of non-hierarchical, decentralized relationships, open to differences. Might the mediated image at times be more impactful or enduring than a direct experience of the work? Might it be equally significant, even if different?

THE SCOTTISH HIGHLANDS, A JOURNEY BY THE PHOTOGRAPHER BEA DE GIACOMO AND THE DIRECTOR MASSIMILIANO BOMBA. TEXT BY DOUGLAS STUART FROM THE BOOK “YOUNG MUNGO”.

A sharp wind blew across the loch and snapped the fabric of his cagoule in its hurry. The air was clearer than he had ever tasted, and when Gallowgate wasn’t watching, he tilted his head back and put his tongue out into the breeze. It tasted green like spring grass, but there was a prehistoric brownness to it, as though it had searched an entire age through damp peaty glens and ancient forests, looking for its way to wherever it was going.

FOLK IN THE HEBRIDES, BY LISA ROVNER

In 1938, the couple bought the Isle of Canna. In Shaw’s own words: It’s smaller than its neighbors. When you are sailing towards it you’ll see how very green it is. There are high cliffs to the North and the South but the rich grass grows to the very edges of them. I’m often asked if this isn’t a lonely life. It is not. People who work with animals are never lonely. I remember visitors arriving onshore from a yacht one lovely summer day. “You’re far from the world here” said the yachtsman. I’m in the center of my world was the reply.

EASTERN EUROPE. TRAVELLING WITH THE PHOTOGRAPHER NIKKI MCCLARRON AND THE WRITER CHARLOTTE HARDING

Serpents of steam rise from pots on roofs. Mist hovers in neat pockets. Footprints of dew. Roses pruned to perfection. Single rows, tall blades of grass, drinking in the October air and sunshine. On the street stands an old house. Age and names carved above a wood- en gate, along with tulips. Each window peering, gleaming with poised pots of jam. Eaves heaving, with memories and moments unseen. In lace-lined hallways cabbages nestle. Grapes fill bowls.

THE ARTIST LUCA TREVISANI VISITING THE LOOS HOUSE, BETWEEN PRAGUE AND PILSEN

The edifying art of Adolf Loos seems to be all about surfaces. You immediately get the urge to catalogue it all, make a list of materials, shapes and textures, a detailed list of the quantities, proportions and associations, as befits the reactants in a chemical reaction, by definition specific and unsubstitutable.

THE URBAN ECOSYSTEM. TEXT BY MENNO SCHILTHUIZEN, EVOLUTIONARY BIOLOGIST. PHOTOGRAPHS BY LUCA DE SANTIS, TRAVELLING ALONG THE PACIFIC COAST, FROM COSTA RICA TO COLOMBIA

If we city dwellers would only open our eyes to the fascinating process of urban evolution and the novel ways in which urban biodiversity creates a food web, our enjoyment of living in a city would be enhanced. We may think there is no nature left in our concrete jungles, but if we look carefully, on our daily walks through our neighborhood, we will see the evidence of a rich and fascinating ecosystem all around us.

    27.5 × 21 cm, Softcover, 2023,

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