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Antenne Books is a distributor for independent publishers. Established in London in 2010, Antenne Books distributes publications on art, photography, design, illustration, theory, writing, fashion and culture.

In the last decade, independent publishing rapidly grew, with many emerging publishers utilising new technologies and the ability to produce books on small scales and at low costs. Antenne Books was realised as a distribution platform against this background, initiated to support the large growth of these emerging publishers, who at the time had limited means to distribute their work using traditional models of book distribution. Antenne Books began by working with publishers Aki Books, Hassla, Nieves, Seems and The Institute of Social Hypocrisy, introducing retailers to publications that had, until then, rarely been available in Europe. Antenne Books now represents publishers from the UK, Europe, USA and Japan and distributes to a wide selection of bookshops and specialist retailers worldwide.

AntenneBooks.com is both an online shop and living archive of the Antenne Books distribution catalogue, which features a wide selection of artist publications, photobooks, magazines, rare and out-of-print publications, monographs and more. Titles are available from leading photobook publishers Art Paper Editions, Baron, Edition Patrick Frey, RVB and Onomatopee. Also available are titles from major artist book publishers Printed Matter, Patrick Remy, Tarmac and InOtherWords and magazines from Heavy Traffic, Mousse, Al Hayya, Luncheon, BUTT, Crotch and Dirty Magazine.

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Identity & Art Direction: OK-RM
Web Development: Twelve

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This page was updated on 23rd May 2018.


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Victor Boullet , Letzte Religiöse Arbeit Malerei von Victor Boullet
£10 Add to cart

Frenetic Happiness & Santolarosa
Proudly presents the first
Verlag Macht Collaboration
Centralbanken, Oslo – 26 may 2023

Letzte Religiöse Arbeit
Malerei von Victor Boullet
Size: 30cm x 21cm
Ed. 150
PP. 44
Poster size: 59.5 x 42cm
folded to 21 x 30cm

Relgiøst Maleri. en kunstkritisk ekskursjon
Novella von Stian Gabrielsen
15cmx21cm
pp. 44
Ed. 150
Poster 30 x40cm
folded to 15 x 20cm

Published by Frenetic Happiness & Santolarosa
Design by Texas Knüller
All produced by VVery Negative Gucci Production
All printed in Cairo & Paris

@santola_rosa
@frenetichappiness
@centralbanken
@texasknuller
@victorboullet
#dødkontormann
#vverynegativegucciproduction
#stiangabrielsen
#religiøsmaleri
#verlagmacht

——

The Gule Huset På Andre siden av Gaten (The Yellow House)

Oslo. In the house (hus) the kitchen window (kjøkkenvindu) was the only window I ever properly looked out of for no other reason than to stare out into the abyss of youth, and always to the left towards the yellow hus.

We called them: The religious people in the yellow house (De er kristne i det gule huset) They always smiled. This was my first experience with someone worshipping something that I understood nothing of. (forstod det ikke)

1976, my first day in school (skole) was in class B with all my friends from the street. The next day I attended school I was moved to class A. (A klassen) I suspect that my Mother forced this change, because the teacher of class B was religious, and friends of the people in the yellow hus. This will have been my first experience with separation because of someone worshipping something that I understood nothing of.

From the primordial soup we crawled onto earth, to trees, deep into caves and we are still crawling as a species. There is no God, there was never a Jesus. Aldri en Maria, but we need to believe, and to feel (føle) something (noe) greater than ourselves.

I am not a religious painter, but I am trying to manoeuvre in religious matters. I don’t worship. I don’t pray. I try to believe, at times I do believe in something, but not in a God.

I have encountered or felt something that is on the outside of myself that was trying to speak to me, touch me. Assuring me that it’s ok. You’re ok. Keep going. (See page 237 in my Liverpool book)

I could convert to any form of religion, just to moor my life to something safe, safer, something to hold on to, like a religious railing, but that would be an illusion.

In 2015, I stood on a Berlin street corner looking at gravel on the floor. A friend who had died that same year could not see those tiny stones that I was staring at.

I look up at the heaven (himmelen) above. I look down on the earth (jorden) below, I see my feet and I feel nothing. I wish I could feel and believe more.

I have written that I want to be cremated. (kremert) I want to go up in smoke. Then scatter me, my remains somewhere, no preference. (ikke så nøye hvor)

Victor Boullet, London 2023

    32 × 22.5 cm, Softcover, 2023,

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