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Antenne Books is a distributor for independent publishers. Established in London in 2010, Antenne Books distributes publications on art, photography, design, illustration, theory, writing, fashion and culture.

In the last decade, independent publishing rapidly grew, with many emerging publishers utilising new technologies and the ability to produce books on small scales and at low costs. Antenne Books was realised as a distribution platform against this background, initiated to support the large growth of these emerging publishers, who at the time had limited means to distribute their work using traditional models of book distribution. Antenne Books began by working with publishers Aki Books, Hassla, Nieves, Seems and The Institute of Social Hypocrisy, introducing retailers to publications that had, until then, rarely been available in Europe. Antenne Books now represents publishers from the UK, Europe, USA and Japan and distributes to a wide selection of bookshops and specialist retailers worldwide.

AntenneBooks.com is both an online shop and living archive of the Antenne Books distribution catalogue, which features a wide selection of artist publications, photobooks, magazines, rare and out-of-print publications, monographs and more. Titles are available from leading photobook publishers Art Paper Editions, Baron, Edition Patrick Frey, RVB and Onomatopee. Also available are titles from major artist book publishers Printed Matter, Patrick Remy, Tarmac and InOtherWords and magazines from Heavy Traffic, Mousse, Al Hayya, Luncheon, BUTT, Crotch and Dirty Magazine.

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Antenne Books Limited
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Tel: 02035828257

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Book Terms

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Submission Guidelines

 

 

 

 

 

Identity & Art Direction: OK-RM
Web Development: Twelve

This page (together with the documents referred to in it) details the terms of use on which you make use of the site: www.antennebooks.com. By using the site you agree to be bound by the Terms and Conditions of use relevant at the time of your visit.

Photographs & Video
Copyright in non-photographic images and video material on the site belongs to various owners and permission to reproduce or use any such image or video material must first be obtained from Antenne Books.

Content Submitted by You
The site offers a facility for you to contribute content (including, for example, written comments and/or photographs). Where you elect to do so, you accept that you grant to us a non-exclusive, royalty-free licence (at our sole discretion) to publish and use all such content (or any part of it, which may be edited, cropped or otherwise modified by us at our discretion) in any way and at any time on the site.   In addition, you warrant that the copyright and other intellectual property rights in such content belong to you and that the publication by us of such material by us on the site will not be unlawful or infringe the rights of any third party.

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If you have subscribed to one of our services, you may unsubscribe by following the instructions which are included in e-mail that you receive.  You may be able to block cookies via your browser settings but this may prevent you from access to certain features of the website.

Online Sales
When we receive your order you will receive an automated e-mail reply acknowledging receipt. No contract shall come into existence until we have accepted your order. Your order will be accepted by us by way of a confirmatory e-mail (‘Confirmation of Order’) which will confirm that we are able to send you the goods you have ordered, the price and the estimated delivery date. This Confirmation of Order shall contain all of the information regarding the goods you have ordered. You must immediately check the details contained in the Confirmation of Order and we advise you to print and keep a copy of it. We reserve the right in our absolute discretion to accept or reject any offer. You are able to correct errors in your order up to the point at which you click (“submit”) on your order.
 
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Items can only be returned if damaged.

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If you are returning an item because because of damage, we shall only refund the cost of the returned item, and you will be fully liable for the postage paid when returning the item to us and when purchasing the item. If we are not able to an exchange an item we will provide a refund. Sale items cannot be returned or exchanged. All items being returned in accordance with this clause must be safely and securely packaged to avoid damage in transit. We shall not accept an item for refund or exchange if it has been damaged in transit or otherwise. We strongly recommend when returning items to us you use recorded or special delivery as we are unable to refund items which are lost in the post. All goods shall remain your responsibility until we receive them. MISC If any of these Terms and Conditions should be determined to be illegal, invalid or otherwise unenforceable by reason of the laws of any state or country in which these Terms and Conditions are intended to be effective, then to the extent and within the jurisdiction which that Term or Condition is illegal, invalid or unenforceable, it shall be severed and deleted from that clause and the remaining Terms and Conditions shall survive, remain in full force and effect and continue to be binding and enforceable. These Terms and Conditions shall be governed by and construed in accordance with the laws of England and Wales.
 
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If you have any questions or feedback regarding this statement, you can contact us at shop@antennebooks.com

We may change this policy from time to time to ensure it is up to date with current European data protection laws. If there are significant changes to the way we process your data, we’ll notify you via our website, and if you’re subscribed to our mailing list, via email too.

This page was updated on 23rd May 2018.


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Bart Groenendaal , The Form And The Frame / De Vorm En Het Venster
£15 Out of Stock

Each medium has its own group as the target of its communication. But which position is actually taken and in what sense is this position coloured? At this moment, there are many discussions about what our media landscape is offering. Public broadcasting would no longer disseminate rightist opinion, and every opinion magazine is set aside as leftist by populist commentators. A lack of clarity seems to have emerged concerning the identity of the media and our identification with the media. What is left, what is right, and what is pure reporting? What do we want to engage with?

Each medium has its own group as the target of its communication. In everyday use each medium both has its core readership and incidental consumers. These groups are addressed by an idiosyncratic use of language and image, of visual and textual rhetoric. An editorial board chooses a specific approach and in doing so applies a specific form. That is what editorial design is. Editorial design gives colour and takes positions. Editorial design is politics.
But which position is actually taken and in what sense is this position coloured? At this moment, there are many discussions about what our media landscape is offering. Public broadcasting would no longer disseminate rightist opinion, and every opinion magazine is set aside as leftist by populist commentators. A lack of clarity seems to have emerged concerning the identity of the media and our identification with the media. What is left, what is right, and what is pure reporting? What do we want to engage with?
‘the Form and the Frame’ engages in the construction of media. Onomatopee has assembled editorial boards to investigate the editorial design of specific opinion magazines; to approach their typical usage of text and image. The investigations will include formal aspects such as the relation between image and text, the normative content of the headlines and so on: hard facts. ‘the Form and the Frame’ ignores actual subjects as described in actual news, it does not touch upon actual issues. Through its formal approach it places the normative framework on the agenda.

Research and imagination
The editorial boards comprise visually and textually capable persons with a knowledge of editorial design. The editorial boards will design an article, both visually and textually, formally addressing the values concerned. The article will be widely made accessible. The current lack of clarity in the media landscape will be made tangible and provided with a better insight.

Presentation
Of course the resulting articles, brought about to the public, will also be featured in the Onomatopee project space. Additionally, Onomatopee shows the registrations of the editorial board meetings, thus revealing their considerations and choices to the audience. These meeting will be presented through film recordings and minutes of the meetings, among others. In order to provide this project and the current tension with a historical context - this problem is of all ages - there will be film screenings that consider these tensions in the past.
Through this project, Onomatopee intends to place the communication of our opinion on the agenda. ‘the Form and the Frame’ both triggers our opinion and engage the professional community, especially in the area of communication, politics, graphic design, and media.
The visitors will very much be encouraged to pick up the pen, to take the editorial opportunity to actively edit the framework of this formalist play.

Knowledge development and responsibility
At the end of the project, reflection and additional content will be collected at a public encounter with experts and condensed into a publication. As is common to all Onomatopee publications, this publication will make the render the additional layers of meaning transparent.

    Published by Onomatopee, 95 + 47 pgs, 34 × 25 cm, Softcover: 2 stabled booklets wrapped in one cover, 2010, 978-90-78454-55-7

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